Bob Dylan Hard Rain Tv Special – , a concert film recorded on the penultimate date of Bob Dylan’s Rolling Thunder Revue. Filmed in Fort Collins, Colorado, the film got its name because it was shot outdoors after a long, rainy day. It has never been released on DVD or streaming, but the film is widely distributed. For example right here.
The film shows one of the most vivid performances of Bob’s life, with powerful new arrangements and songs with angry new lyrics. So today, on the 45th anniversary of that 1976 Colorado show, I’ve put together an oral history
Bob Dylan Hard Rain Tv Special
The concert and the TV special (and to some extent the live album, although half of it was from another show).
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Some of these quotes are from interviews I’ve done myself, mostly about last year’s Rolling Thunder show, but most aren’t, and I’ve referenced the original sources at the end of each quote.
Howie Wyeth, drums. “Rehearsals took place at this location [Clearwater, Florida’s Bellevue Biltmore Hotel]. It just wasn’t happening. Then we did the gigs and they filmed and that was it. It was the first day that music started to feel good again. Bob did a really modern version of ‘Like A Rolling Stone’. He did some tunes that he didn’t do at all.” (via)
Scarlett Rivera, violin. “The first attempt to catch him alive for some reason failed. It is not surprising to know what those reasons are. Those were technical reasons, from the sound equipment [that] had to be brought in. Maybe they had feedback issues. All this effort was never released. He made us make a last ditch effort to catch him
T-Bone Burnett, guitar. “They built these beams around and all these kids were sitting in them, their legs dangling. The background was all these gang legs, and we just looked at it and thought, “[definitely] that’s not what we’re doing.” (via)
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David Mansfield, multi-instrumentalist. “I don’t want to put words in [Bob’s] mouth, but I imagine he seemed too stagey and pedestrian. It was just after rehearsals and things weren’t too far off. ” (via)
Howie Wyatt. “Bob got into a fight with one of the guys who was doing [the Clearwater special]. She got into a huge argument with a guy at the dinner table one night after we had made out. And then he said: “No. We won’t do that. That’s it. So he decided we weren’t going to do that, and then they decided to record it at the end [of the tour].” (via)
Rob Stoner, bassist and bandleader. in his own way. something to deliver to NBC. (via)
Bob Neuwirth, guitar. “When we did the second release of the southern part, we messed around a bit and it wasn’t very fresh. There was no New England magic. (via)
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Claudia Levy, partner of tour director Jacques Levy, said: “The first part of the tour was amazing. It was idyllic. It was romantic. We all had a great time and Bob was very happy. During the second part of the trip, he was like a different person. I mean, he was great on stage. There wasn’t a moment that wasn’t really good. But he was not a happy camper. You know, it all starts at the top and filters down. And so it was on the second trip. (via)
Scarlett Rivera. “The first part of the trip was magical. There were many conversations between all the players. Although the music on the second stage was just as good, I think it was a little less harmonious. That in itself brought a certain element of tension that the first one didn’t. Maybe it was because Bob was going through his divorce, or maybe there was more tension with the guitarists and the band. I do not know. The second one lacked a bit of that magical fairy-tale glow for me” (trans)
Joint tour manager Chris O’Dell said: “Honestly, it shouldn’t have happened. A good thing happened and then they tried to recreate it in another area and it didn’t work. It just wasn’t the same. No one felt the same way about it. They should have stopped and just left it at that. (via)
Rob Stoner. The train follows the locomotive. And the locomotive pulled, selflessly.” (via)
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David Mansfield. “I knew there was a black cloud over Bob on that [1976] tour and it affected everything. There was a big entourage at that time and many of us were friends. He didn’t expect Bob to be in a good mood all the time.” (via)
Louis Kemp, producer of Rolling Thunder. “It was a completely different atmosphere. Bob was very serious and totally into it. You can see some of the concerts: the movie
Concert in Colorado, I think the footage is great, but great. I think this journey was more difficult than they enjoyed in some cases. It was a different atmosphere, but the shows were great” (via)
Howie Wyatt. “Unexpectedly, they said we had four days off before going to Fort Collins and recording. They said: “You love this. We found you at these guys’ ranch in the mountains.” And it was raining so you couldn’t ride, and it was in the mountains so you couldn’t breathe. There was nothing to do. And we all stayed there… We had nothing to do for four days. And it was raining. It was despised” (via)
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David Hill, present. “Dylan and his company spent several days at the Stanley Hotel in Estes Park rehearsing. The Stanley is a famous old hotel in the mountains, which was conceived by Stephen King
. It may have fallen in 1976, it has since been removed. It has a small auditorium and was probably where the Rolling Thunder Revue rehearsed.” (via email)
Mike Evans, Security. “We were staying at this place called the Stanley Steamboat, this hotel on the mountain that’s really famous, with the old claw-foot tubs and stuff. I remember sitting in the bathroom drinking brandy and trying to warm myself up” (prez)
Patricia Maher, local resident. “Estes Park was a very conservative town, and while some of its residents knew who Bob was, most of them didn’t, or didn’t care. It was a very small mountain community, which is why Dylan came there to train in the first place. They knew there wouldn’t be tons of fans. They would drown if they practiced in Dunkolin. (via)
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Mike Evans: “Fort Collins was angry in many ways. I want to say again that Neuwirth took me out on a horse, even though I could not go on that horse. All night I was drinking, though not much, when suddenly he comes before sunrise and has two horses;
Rob Stoner. “Bob was really hitting the bottle this weekend. It was a terrible week. There were many things that were being done
Patricia Maher. “The night before the show we all went up to the Stanley to hear them rehearse in the concert hall and music hall. We were able to view them because it was almost impossible to close the public room at Stanley. They were so loud, literally
Arthur Rosato, audio. “He was in Fort Collins and the kids were there. Bob told me to make sure the kids weren’t on camera. I had to keep them out of camera range.” (via)
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Joan Baez, singer. “Sarah showed up late on tour, jumping off the plane like a mad woman, carrying baskets of wrinkled clothes, her wild hair and dark circles around her eyes… Bob ignored her, and he had He raised his curly head to Pug, who was sitting at the piano in the main hotel room. during his rehearsals in the ballroom off the lobby. Sarah appeared nonchalantly at the front door, dressed in a deerskin, wearing her emerald green necklace and some strong and sweet oppressive oils. He greeted me with a restrained hello and talked distantly about nothing in particular, all the while staring at the closed door of the ballroom. I had a feeling that she had put her magical powers over this room and that whatever plans Bob had were about to go awry. The door to the room opened and Mopsy fell.
“Some group. Nobody likes him, I replied. That was true. We loved the tightrope walker who quietly disappeared when Sarah
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