Bob Dylan Hard Rain Vinyl – , a concert film recording the penultimate day of Bob Dylan’s Rolling Thunder Revue. The film, which was shot in Fort Collins, Colorado, got its name because it took place outside after several days of rain. It has never been released for DVD or streaming, but the footage is widely distributed. For example, here:
The video features one of the most intense performances of Bob’s career, with songs offering powerful new arrangements and angry new lyrics. So today, on the 45th anniversary of the 1976 Colorado showdown, I’ve created an oral history.
Bob Dylan Hard Rain Vinyl
Concerts and TV specials (and for some live albums, even half of a different show).
My Dylan Collection
Some of these quotes are from interviews I’ve done myself, mostly for last year’s Rolling Thunder show, but mostly not, and I’ve linked to the original site at the end of each statement.
Howie Wyeth, drummer: “The process happened at that place [Clearwater, Florida’s Bellevue Biltmore Hotel]. It just didn’t happen. Then we did the concert and they played film and it happened. That was the first day that started music again. Bob did a real song on ‘Like a Rolling Stone.’ He’s done some songs that had never been done before. (a)
Scarlet Rivera, violin: “The first attempt to catch him live didn’t work for some reason. I really don’t know why. The reasons are technical, from the sound equipment [that] must be brought. Maybe there is a problem with your answer. All these efforts never stopped. This forces us to make one last attempt at closure
T-Bone Burnett, guitar: “They made ropes around them and all these kids were sitting in them, dangling by their feet. The back was all their feet dangling and we just saw it and thought, ” [seriously] no, what are we. doing.’” (a)
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David Mansfield, multi-instrumentalist: “I don’t want to put words in [Bob’s] mouth, but I think he’s a little influenced and he’s on the road. He’s just after rehearsing and some things aren’t done yet.” )
Howie Wyeth: “Bob got into a fight with [one of the] guys doing [the Clearwater show]. He had a big argument with the guy at the dinner table the next night. We were halfway there. And then he said, “No! We won’t do it. Work!’ So he decided that’s not how we were going to do it, and then they decided to write it at the end [of the tour].” (of)
Rob Stoner, bassist and bandleader: “I think the consensus is that Bob has the right to reject the tape if he doesn’t like it, but the point is he has to do it on his own, at his own expense. sent. to NBC.” (to)
Bob Neuwirth, guitar: “When we did the second edition in the South, we approached it a little badly and it wasn’t new. The New England magic wasn’t there. (of)
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Claudia Levy, wife of tour director Jacques Levy: “The first part of the tour was amazing. It was idyllic. It was romantic. We all had a great time, and Bob was very happy. The second part of the tour, he’s like a stranger, I mean, he’s good on stage, it doesn’t make sense that he’s not good, but he’s not a happy winner, you know, it all starts from the top, and it’s filtered through the media . And on the tour it’s the same in the second.” (of)
Scarlet Rivera: “There was magic in the first leg of the tour. There was harmony between all the players. Even though the music was really good in the second leg, I thought they were a little harmonies. There some elements of the cover that weren’t on the original. Maybe it was because Bob was going through a divorce or maybe there was some tension with the guitarists and the band. I don’t know. I’m on the second one. There’s a magic fairy”. (of)
Chris O’Dell, co-executive director: “It shouldn’t happen, really. Good things happen and then they try to recreate it in a different place and it doesn’t work. It doesn’t work. It’s the same. Nobody. It’s the same. “Don’t think what do there (of)
Rob Stoner: “Everything that has a feeling in a group is always organized by the main man. The train follows the train. And the locomotive is pulled, it has no sad stop.” (of)
Bob Dylan’s
David Mansfield: “I know Bob had a black cloud over him on that tour [1976] and it covered everything. There was a big circle at that time and a lot of us were good friends. It wasn’t Bob. Always there . hi .(of)
Louie Kemp, producer of Rolling Thunder: “It was completely different. Bob was very serious and did everything. You can see it at some concerts: pictures of
A concert in Colorado, I think it’s a beautiful place, just amazing. I think the tour, the performances were in some cases more painful than they liked. It was a different place, but the show was great. “(of)
Howie Wyeth: “All of a sudden they told us we had four days before we had to go to Fort Collins and make the record. They said, ‘You’re going to love this. We took you to the mountains. no”. And it is. Rain you can’t ride and you have to breathe on the mountain, there’s nothing to do, and we’re all stuck there… four days nothing to do, rain rain, very sad.” (of)
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David Hill, contributor: “Dylan and company spent a few days rehearsing at the Stanley Hotel in Estes Park. The Stanley is an old hotel in the mountains where Stephen King got the idea.
. It was probably torn down a bit in 1976, it’s been torn down ever since. There is a small house, where the Rolling Thunder Revue seems to repeat. (by email)
Mike Evans, security: “We stayed at this place called the Stanley Steamer, a famous mountain hotel, with old bathrooms and appliances. I remember sitting in the bathroom drinking cognac. It was warm.” (of)
Patricia Maher, local resident: “Estes Park is a very nice town, and although some people know who Bob is, most people don’t, or don’t care. It’s a small mountain, yes, as Dylan was up front. .. when they first came to rehearse, they knew they wouldn’t get many fans.
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Mike Evans: “Fort Collins is pissed off in a lot of ways. I mean again Neuwirth put me on a horse, even though I shouldn’t be. I was up all night, not even resting. And of suddenly he came alone and had two horses, ‘Let’s go!’ And here we go! (where)
Rob Stoner: “Bob hit the bottle that weekend, it was a great weekend, there was a lot to do.
Patricia Maher: “The night before the show, we all went to Stanley to audition them in the concert hall and music hall. We saw them, because it was almost impossible to go to a public hall in Stanley… it was popular, indeed.
Arthur Rosato, speaking: “He lives in Fort Collins and his kids live there. Bob told me to make sure the kids weren’t on camera. I had to keep them off camera.” (of)
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Joan Baez, singer: “Sara was late for the tour, she got off the plane like a madwoman, carrying a basket of wrinkled clothes, wild dark hair under her armpits… Bob ignored her, and Mopsy in a hat. During his rehearsals he was standing at the piano in the ballroom of the hotel’s main lobby when Sara appeared in the doorway dressed in deerskin, her emerald green necklace and a little of oppressively sweet oil. Don’t talk about anything special, always look at the closed door. of the ballroom. I think she gave him magical powers in the room, and said that, however, Bob was ready to come in soon .The door to the parlor opened and Mopsy left.
“‘Some group. Nobody likes it,’ I replied. It’s true. We like the tight pig, who disappeared quietly when Sarah
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